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Aretha Franklin Gets The Muscle Shoals Sound And Her First Hit
1967
Aretha Franklin records her first Top 10 pop hit, "(I Never Loved A Man) The Way That I Love You," at FAME Studios in Muscle Shoals, Alabama.
Franklin, recently signed to Atlantic Records after only middling success in six years recording for Columbia, heads to Muscle Shoals at the behest of her producer, Jerry Wexler, a bigwig at the label. The sleepy Alabama town has a way of keeping artists on point and bringing out their best, and the musicians are top-tier. This session is far from sleepy though, and Aretha's husband/manager Ted White exchanges words with trumpet player Ken Laxton and ends up getting in an altercation with the studio owner.
After the session Aretha and her husband leave, and she never returns to Muscle Shoals. The sound she got during this fateful session is exactly what Wexler is looking for, and the key to making Aretha the superstar she is destined to be. Since Franklin won't go to Muscle Shoals, he instead brings the musicians to her, flying them up to New York City to finish the album. These guys become her backing band for her next three albums, each time flying to New York on Atlantic's dime to record with Franklin.
These recordings make Franklin one of the biggest stars of the '60s, and when word gets out that she's doing it with musicians from Muscle Shoals, many artists book time to work with them at FAME and later Muscle Shoals Sound Studios. When the artist arrive, they are often shocked to discover that Aretha's backing band is white.
After the session Aretha and her husband leave, and she never returns to Muscle Shoals. The sound she got during this fateful session is exactly what Wexler is looking for, and the key to making Aretha the superstar she is destined to be. Since Franklin won't go to Muscle Shoals, he instead brings the musicians to her, flying them up to New York City to finish the album. These guys become her backing band for her next three albums, each time flying to New York on Atlantic's dime to record with Franklin.
These recordings make Franklin one of the biggest stars of the '60s, and when word gets out that she's doing it with musicians from Muscle Shoals, many artists book time to work with them at FAME and later Muscle Shoals Sound Studios. When the artist arrive, they are often shocked to discover that Aretha's backing band is white.
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