MAY 19, 2023

'Indiana Jones and the Dial of Destiny' Review: Time Is of the Essence in a Sequel That Gets Old Fast Cannes: “Kingdom of the Crystal Skull" suddenly doesn't look so bad.  By David Ehrlich

The 2023 Upfronts Were a Big Win - for the WGA IndieWire speaks with the folks who made sure no one had a good time this week — the Writers Guild of America.  By Tony Maglio	Decoding the 'Mrs. Davis' Ending with Damon Lindelof and Tara Hernandez Sitting down with [redacted] "was the most nerve-wracking meeting of the entire process" — more, even, than pitching the show itself.  By Ben Travers

Bob Iger Has Watched 'Dial of Destiny' Five Times - and Says More Indy Franchise Extensions Are Possible The executive and director James Mangold beamed to IndieWire about the Harrison Ford movie at its big festival debut.  By Eric Kohn	Bill Hader Breaks Down What He's Learned from Directing 'Barry' "I used to have that thing in my 20s with Kubrick, thinking shooting all those takes was really romantic and cool. But then once you actuall … By Jim Hemphill

	'Yellowjackets' Episode 8 Is the Dawn of a Treacherous, Twisted New Era The castaways make their own rules in a pivotal penultimate episode.  By Proma Khosla
	Hot Wheels and Realism: Crafting Stunts for 'The Night Agent' The Netflix series' star Gabriel Basso and stunt coordinator Mike Mitchell told IndieWire about the combination of prep and spontaneity that … By Jim Hemphill
	How 'The Other Two' Achieved - and Overruled - Its 'Pleasantville' Homage The craft team behind the HBO Max comedy explains how they made the set of "Emily Overruled" such a unpleasant(ville) place for Cary.  By Sarah Shachat
	Roger Deakins Says Producers Wanted 'Sicario' Filmed in Fort Lauderdale: 'Has Anybody Read the Script?' Deakins recalled the insurance issues over filming the 2015 Denis Villeneuve movie in Mexico at the time.  By Samantha Bergeson
	Where to Watch This Week's New Movies, from 'Fast X' to 'Master Gardener' This week, we program a personal film festival for those not strolling the Croisette.  By Kate Erbland