NOVEMBER 28, 2022

'Spoiler Alert' Review: Michael Showalter's TV-Obsessed Tearjerker Is Short on Surprises Adapted from Michael Ausiello's memoir, this seriocomic cancer weepy about a TV journalist and his lover feels sadly generic on screen.  By David Ehrlich

Is 'Yellowstone' the Next 'Law & Order'? A Hard Look at the Taylorverse and What It Means for TV Taylor Sheridan is building a streaming universe for Paramount, but its roots are based in broadcast — and its growth is a bit fr … By Ben Travers	This Was the Worst Thanksgiving Weekend in Box-Office History. Yes, Disney's animated "Strange World" is a bomb — but without Netflix's "Glass Onion," the weekend would have been even worse.  By Tom Brueggemann

'The White Lotus': Making Episode 5's Unsettling Climax Cinematographer Xaiver Grobet, sound designer Kathryn Madsen, and composer Cristobal Tapia de Veer break down the fun of crafting Tanya's di … By Sarah Shachat	'The Guardians of the Galaxy Holiday Special' Is Utterly Unhinged - and Perfect The 41-minute special presentation makes a case for creative freedom and confidence within the MCU.  By Proma Khosla

	'1923' Full Trailer: Harrison Ford and Helen Mirren Defend the Yellowstone Ranch The prequel series premieres via simulcast on Sunday, December 18.  By Christian Zilko
	Noémie Merlant Channeled Her 'Huge Admiration' for Cate Blanchett Into 'TÁR' Performance "Since I'm a huge admirer of Cate, I used this feeling for Francesca who was observing Lydia in the process of creation," the actress said.  By Jude Dry
	'Welcome to Chippendales' and the Dorothy Stratten Problem Dorothy Stratten certainly deserves a voice, but having her as this pert fashionista who conjured up the Chippendales wardrobe and died feel … By Kristen Lopez
	Mark Mylod Designed 'The Menu' to Its Exacting Chef's Specifications Director Mark Mylod discusses channeling Ralph Fiennes' character to create the look and feel of his "eat the rich" satire.  By Sarah Shachat
	Why 'WALL-E' Is the Perfect First Movie for Cinephiles to Watch with Their Kids “WALL-E” director Andrew Stanton on the film's arthouse origins and why it makes sense for the Pixar hit to be in the Criterion … By David Ehrlich