In June 1964, Andy Warhol attended a party at the home of Jane and Leonard Holzer who lived in a 12-room apartment at 955 Park Avenue with a maid, a butler, a Yorkshire terrier, and a toy poodle. Warhol had always been intrigued by female fashion, and 23-year-old Jane Holzer wore designer clothes and had a distinctive style that was all her own. With a long, abrupt face that, at unguarded moments, looked haunted, Holzer possessed a distinctive, arresting look. Holzer was attractive, yes, but her glory was her magnificent hair—an enveloping golden mane reminiscent of the MGM lion’s, a splendid statement that announced her presence to the world. Holzer was much more than simply pretty. She had presence.
Needless to say, Warhol saw an opportunity.
In an excerpt from his new book, Warhol’s Muses, Laurence Leamer chronicles the transformation of “Baby Jane” from a Park Avenue princess to an icon of downtown cool.
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