SEPTEMBER 08, 2022

15 Movies That Might Sell Big at TIFF 2022 From Margaret Qualley as a dominatrix to a quarantine slasher, these are the TIFF movies that buyers will be sniffing out.  By Eric Kohn

'The Damned Don't Cry' Review: A Loose Remake of Pier Paolo Pasolini Finds New Blood Venice: Fyzal Boulifa’s challenging melodrama unearths fresh takes, both within its cast and its story.  By Adam Solomons	A College Romance Goes Bad in 'Tell Me Lies.' It May Be Hulu's Next Big Hit. There's a bigger mystery lurking, but Grace Van Patten and Jackson White anchor the best parts of a mostly-in-flashback story of toxic love.  By Steve Greene

IMAX Flexes as Cineworld Goes Bankrupt On Wednesday, Cineworld filed for Chapter 11, IMAX doubled its stock repurchase program, and AMC's Adam Aron was, well, Adam Aron.  By Tony Maglio	'Beyond the Wall' Review: A Blind Man Shelters a Woman on the Run in Iran Venice: This artful thriller from Vahid Jalilvand finds new ways to depict blindness and convey flashback scenes.  By Leila Latif

	'See How They Run' Review: Saoirse Ronan Charms in Mostly Humdrum Whodunit Sam Rockwell and Adrien Brody also lead this star-studded murder mystery, an Agatha Christie homage that lacks her finesse.  By Jude Dry
	How 'What We Do in the Shadows' Made a Perfect Season by Taking Big Swings on Bat(!)sh*t Ideas Showrunner Paul Simms tells IndieWire how Season 4 became an indelible feat of imagination.  By Ben Travers
	'Dead for a Dollar' Review: 2nd Time Isn't the Charm for Christoph Waltz as a Western Bounty Hunter Overplotted, yet somehow still a hangout movie, Walter Hill's new Western is elevated by its moral dilemmas.  By Sophie Monks Kaufman
	'Saint Omer' Review: Alice Diop Reorients a Horrifying True Crime in Her First Narrative Outing Venice: Although technically a work of fiction, “Saint Omer” is fiercely documentary-like in its concerns.  By Sophie Monks Kaufman
	'My Policeman' Trailer: Harry Styles Breaks Emma Corrin's Heart in Queer Love Triangle Styles stars as a closeted cop torn between his wife and lover in a decades-spanning romance, directed by Michael Grandage.  By Samantha Bergeson