14 EMMY® NOMINATIONS INCLUDING OUTSTANDING COMEDY SERIES
OUTSTANDING CINEMATOGRAPHY (ONE HOUR) M. David Mullen, ASC, Director of Photography
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD PROGRAM (ONE HOUR OR MORE) Bill Groom, Production Designer Neil Prince, Supervising Art Director Ellen Christiansen, Set Decorator
OUTSTANDING PERIOD COSTUMES Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor
OUTSTANDING PERIOD MAKEUP (NON-PROSTHETIC) Patricia Regan, Department Head Makeup Artist Claus Lulla, Key Makeup Artist Joseph A. Campayno, Key Makeup Artist Michael Laudati, Makeup Artist Tomasina Smith, Makeup Artist Roberto Baez, Makeup Artist
OUTSTANDING PERIOD HAIRSTYLING Kimberley Spiteri, Department Head Hairstylist Keleen Snowgren, Key Hairstylist Diana Sikes, Key Hairstylist Emily Rosko, Hairstylist Valerie Gladstone, Key Hairstylist Matthew Armentrout, Hairstylist
OUTSTANDING MUSIC SUPERVISION Robin Urdang, Music Supervisor
OUTSTANDING ORIGINAL MUSIC AND LYRICS “Your Personal Trash Man Can” Curtis Moore and Thomas Mizer, Music and Lyrics by
OUTSTANDING CHOREOGRAPHY FOR SCRIPTED PROGRAMMING Marguerite Derricks, Choreographer
OUTSTANDING SOUND MIXING (ONE HOUR) Mathew Price CAS, Production Mixer Ron Bochar Re-Recording Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer
Cinematographer M. David Mullen on the Final Season's Stylistic Shifts “We wanted the flash-forwards to have a different look. Each time we had a flash-forward, we’d talk about the colors and the diffusion and the lenses to create some feeling of the modern world coming into the show.” READ THE INTERVIEW
Flash Forwards Created a New Costume Challenge for Donna Zakowska “I just tried to think what happened and what does that mean in terms of the clothes and the characters and adhering to different periods?” says Zakowska. READ HEREHow Music Supervisor Robin Urdang Brings Authentic Flourishes For Maisel obsessives, intent is one of the show’s greatest assets, and that is truly exciting to watch. We know that a musical cue is in there for a reason–nothing is superfluous. For five seasons, Urdang has delighted, tickled, and entertained us with how music brings out the best in the characters and the story. READ HERE
Tom Mizer and Curtis Moore on Composing a Bouncy, Trashy Industrial Musical “Your Personal Trash Man Can” begins with a twinkly, soft intro meant to evoke something nostalgic, but it quickly swerves into a vivacious quartet. WATCH HEREWATCH THE MARVELOUS MRS. MAISEL CONSIDERAMAZON.COM ENTER CODE: SNRC8B |
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