When adapting Priscilla Presley’s memoir, Elvis and Me, into her latest film, Priscilla director Sofia Coppola longed to explore who the Presleys were “behind closed doors,” studying their home movies to capture “the essence of them and how they were together.” She takes us inside her process for the latest edition of Vanity Fair’s Notes on a Scene series, diving into a moment that really illuminates Elvis and Priscilla Presley’s complicated relationship. “A lot of the movie you’re in his more gentle, more vulnerable side,” Coppola explains. “We want it to feel like you’re always in Priscilla’s point of view, and it to be shocking when someone’s mood shifts like that.”
Elsewhere in HWD, Savannah Walsh breaks down a new episode of South Park that takes aim at Disney (and, specifically, Kathleen Kennedy); Oppenheimercinematographer Hoyte van Hoytema details his approach on Little Gold Men; Noah Baumbach reveals how he really feltabout signing on to write Barbie; and Robert De Niro takes the witness stand in his own legal battle.
No comments:
Post a Comment