MAY 23, 2022

David Cronenberg on Body Horror, 'Titane,' and 'Stalinist' Censorship as 'Crimes of the Future' Hits Cannes Cannes: The director elaborated on the complex themes of his new movie to IndieWire and why he always seems to be ahead of his time.  By Eric Kohn

Summer TV Preview: The 23 Shows We Can't Wait to Watch "Stranger Things," "A League of Their Own," and more summer TV we're excited about.  By Proma Khosla	'Downton Abbey: A New Era' Scores $16 Million as Older Audiences Wait for 'Top Gun: Maverick' The box office needs Tom Cruise to save May.  By Tom Brueggemann

Here's a List of Everything Netflix Lost Since Those Devastating First-Quarter Earnings Netflix has lost more than subscribers in 2022. It's lost cachet, employees, and $185 billion in value.  By Tony Maglio	'Decision to Leave' Review: Park Chan-wook's Detective Procedural Is the Most Romantic Movie of the Year Cannes: Park Chan-wook's murder-mystery may not be as opulent as "The Handmaiden," but its bad romance cuts just as deep.  By David Ehrlich

	Enough Pins and Ribbons: How Cannes and Ukraine Provide a Model for Industry Support in Crisis (Column) Ukraine has been present at this year's festival in ways that should inspire the global film industry — for business and humanitarian … By Eric Kohn
	'Stranger Things 4' Review: A Mopey, Meandering Season 4 Loses Steam Fast (No Spoilers) In a surprise to no one, longer does not equal better. But with so much extra time, the drop-off in pure fun is truly bizarre.  By Ben Travers
	'Barry': Bill Hader and Alec Berg on Season 3's Themes and Why Sally Deserves Better The co-creators of HBO's acclaimed comedy break down Banshee inspirations, good network notes, and a regular reaction that "really bothers" … By Ben Travers
	'Conversations with Friends': Alison Oliver Explains She Now Has 'Standard' for Future Intimate Scenes These characters "do struggle with communication, so a lot of [their] communication is through intimacy," Oliver tells IndieWire.  By Kristen Lopez
	Cannes 2022 Deals: 'One Fine Morning,' 'Corsage' Are the Latest Festival Acquisitions Other recent acquisitions include Neon with Kore-eda Hirokazu's "Broker," while MUBI picked up Park Chan-wook's "Decision to Leave."  By Chris Lindahl